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Mark Kermode

Film critic and broadcaster Mark Kermode writes a monthly column for the Observer. Twitter @kermodemovie

October 2024

  • Monica Dolan and Kelly Macdonald in Typist Artist Pirate King.

    Mark Kermode on film
    Mark Kermode on… British director Carol Morley, who sees the surreal in the real

    ​With her latest film, Typist Artist Pirate King,​ on Netflix, it’s a good time to survey the back-catalogue of one of the UK’s most thrilling film-makers, from a jaw-droppingly personal documentary to a misunderstood neo-noir

August 2024

  • A few of Martin Scorsese’s favourite British films (clockwise from top left): Dr Jekyll and Sister Hyde; To the Public Danger; The Legend of Hell House; and ‘dark gem’ Went the Day Well?

    Mark Kermode on film
    Mark Kermode on… Martin Scorsese’s love of British cinema

  • a composite of four images from My Neighbour Totoro; Spirited Away; Mononoke and Nausicaa of the Valley of the Wind.

    Mark Kermode on film
    Mark Kermode on… director Hayao Miyazaki, who speaks to the child in all of us

July 2024

  • From left: Willem Dafoe in Kathryn Bigelow’s debut feature, The Loveless (1981); her Oscar-winning The Hurt Locker (2008); Jessica Chastain in political thriller Zero Dark Thirty (2012).

    Mark Kermode on film
    Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

    From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches

June 2024

  • David Cronenberg in Cannes last month for the premiere of his latest film, The Shrouds.

    Mark Kermode on film
    Mark Kermode on… David Cronenberg, master of gore as a metaphor for our deepest anxieties

    From The Brood to Crash and new film The Shrouds, the Canadian body horror pioneer has outraged the censors and inspired countless directors

May 2024

  • Ewan McGregor, Kerry Fox and Christopher Eccleston in Shallow Grave (1994).

    Mark Kermode on film
    Mark Kermode on… Danny Boyle, a director who defines British pop culture

    As his dazzling debut, Shallow Grave, gets a 30th anniversary rerelease, here’s to an extraordinary career that ranges from Trainspotting to Slumdog Millionaire and that unforgettable London 2012 Olympic opening ceremony

April 2024

  • Film director Celine Sciamma

    Mark Kermode on film
    Mark Kermode on… Céline Sciamma, the auteur who finds the universal in the unique

    From gritty banlieue drama Girlhood to period piece Portrait of a Lady on Fire and animation My Life As a Courgette, the French director’s films never fail to connect eloquently with us

March 2024

  • From left: Robert Englund as Freddy Krueger in A Nightmare on Elm Street (1984); Sandra Peabody and Lucy Grantham in The Last House on the Left; Scream 2.

    Mark Kermode on film
    Mark Kermode on… director Wes Craven, who made horror ‘a positive force in a world filled with fear’

    As A Nightmare on Elm Street turns 40, here’s to the softly spoken American creator of some of cinema’s most memorable scares, from razor-clawed serial killer Freddy Krueger to the sequel-spawning Scream

February 2024

  • Steve McQueen, left, with Chiwetel Ejiofor on the set of 12 Years a Slave.

    Mark Kermode on film
    Mark Kermode on… director Steve McQueen, a boundary-pushing master

    From his feature debut, Hunger, to his new documentary, Occupied City, the Oscar-winning director and Turner prize winner’s work has been a long, lively conversation between art and film

January 2024

  • Clockwise from top left: Sandra Hüller in The Zone of Interest, Jamie Bell in All of Us Strangers, Teo Yoo and Greta Lee in Past Lives, Emma Stone in Poor Things and Da'Vine Joy Randolph (centre) of The Holdovers at the Palm Springs international film festival, January 2024.

    And the winner should be… our film critics reveal their personal Oscars shortlists

    Ahead of the official Academy nominations on Tuesday, Observer critics and film writers choose their standout movies, performances, directors and more
  • Carrie-Anne Moss and Guy Pearce in Memento (2000); Joseph Gordon Levitt in Inception (2010); Cillian Murphy in Oppenheimer (2023).

    Mark Kermode on film
    Mark Kermode on… director Christopher Nolan, a magician of cinema as memory

    From Memento to the Golden Globe-winning Oppenheimer, the head-scrambling British-American director has revelled in using cinema as a time machine – and a conjuring trick
  • Leonardo DiCaprio and Lily Gladstone

    ‘It opened a lot of old wounds’: Leonardo DiCaprio and Lily Gladstone on Killers of the Flower Moon

    The co-stars of Scorsese’s epic, based on the true story of murders of Native people in 1920s Oklahoma, talk about the key role of the Osage people in the film’s making

December 2023

  • Yorgos Lanthimos

    ‘My films are all problematic children’: director Yorgos Lanthimos on Poor Things, shame and his creative soulmate Emma Stone

  • five middle class people having a sunless picnic by some rocks, no one talking to anyone else

    Mark Kermode on film
    Mark Kermode on… director Joanna Hogg: ‘Her films have always been haunted by ghosts’

November 2023

  • Leigh McCormack leans over the edge of an old cinema balcony, rapt, in Terence Davies's autobiographical Distant Voices, Still Lives.

    Mark Kermode on film
    Mark Kermode on… the revered British director Terence Davies: ‘He had to fight to get every film made’

    From Distant Voices, Still Lives to Benediction, the lyrical work of the late director was suffused with the ‘ecstasy’ of cinema – and his fraught Liverpool childhood

September 2023

  • Donald Sutherland and Julie Christie in Don’t Look Now.

    Mark Kermode on film
    Kermode on… Nicolas Roeg: ‘Nothing is what it seems’

    In the first of a new monthly Observer column on his favourite film-makers, Mark Kermode salutes the elliptical vision of the director of Don’t Look Now, Walkabout, Performance and so much more
  • Mark Kermode in his 1956 Dodge Coronet

    After 10 years, I’m stepping down as the Observer’s film critic. Here are my top films from the decade

    As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey
    • Mark Kermode's film of the week
      Brother review – brilliantly acted Canadian coming-of-age drama

    • Mark Kermode's film of the week
      Past Lives review – a spine-tingling romance of lost chances

    • Mark Kermode's film of the week
      Passages review – body language speaks volumes in seductive three-way love story

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