Hofesh Shechter: ‘The biggest insult I’ve received is that I’m the rockstar of contemporary dance!’
As Theatre of Dreams arrives in London, the celebrated choreographer and composer explains how having his laptop stolen was a blessing in disguise for his new show
Birmingham Royal Ballet: Luna review – kaleidoscopic quintet shoots for the moon
Employingfive female choreographers in one production is a bold move but this sweeping celebration of strong women does not cohere
National Ballet of Canada: Frontiers review – heavenly revelations and indie spaghetti
A triple bill of modern pieces highlight the challenges of modern ballet, but only in Crystal Pite’s work does it all comes together, especially in the dancing of Siphesihle November
September 2024
Alice’s Adventures in Wonderland review – all stops are pulled out for Wheeldon ballet
‘It’s an intensely beautiful moment – then it goes away’: Emma Portner on dance’s raw power
When the Bleeding Stops / Because I Can review – unexpectedly joyful reflection on menopause
Ballet star Joseph Sissens: ‘I’d be in this world of gross privilege, and then I’d go visit my brother in prison’
Jazz Conversations review – breezy tribute to Miles Davis
London City Ballet review – rebirth after almost three-decade absence
‘How far do you go in the depiction of gay lovemaking?’: Christopher Wheeldon on his new Oscar Wilde ballet
Michael Turinsky: Precarious Moves review – unpredictable, uncategorisable and unexpected
Ballet Nights review – smorgasbord of styles and stars in one thrilling sitting
August 2024
Autumn arts preview 2024
From Charli XCX and Van Gogh to Gladiator 2: the best culture to go out and see this autumn
Choreographer Qudus Onikeku: ‘I want to mirror the real world – vibrant, chaotic, problematic’
State Ballet of Georgia: Swan Lake review – flashes of terror amid endless stops for applause
Autumn arts preview 2024
A Six follow-up, an LA clown … and War Horse rides again: theatre, comedy and dance autumn preview
Waves of grief: this dance show about loss needed to be staged in the sea
‘Ballet is so punk rock’: Neve Campbell and Karen Kain on pressure, pain – and partnering Nureyev
‘I can move my body how I want’: standup Stephanie Laing on conquering her fear of public dancing
Dance and circus at Edinburgh fringe: high concepts and sky-scraping feats
