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Jonathan Jones

Jonathan Jones writes on art for the Guardian and was on the jury for the 2009 Turner prize

October 2024

  • Three Studies of Isabel Rawsthorne, 1967 by Francis Bacon
© The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2024. Photo: Prudence Cuming Associates Ltd. Neue Nationalgalerie, Berlin.

    Francis Bacon: Human Presence review – ‘This whirligig of horrors is the best Bacon show I’ve ever seen’

    The hard-living artist’s distorted figures – deformed to reveal mortality, sex and death – often left their subjects feeling injured. But this biting show should leave crowds astonished
  • Immense and unrewarding … from left, The Randing Intermediate – Earth Alienage Rising Sporing; The Randing Intermediate – Sea Alienage Fanned-Out Bang; and, in background, Eclectic Totemic.

    Haegue Yang review – a must-see show if the slats of venetian blinds make you cry

    Hayward Gallery, London
    This busy retrospective of the Korean artist’s collage-heavy work uses terms like ‘displacement’ and ‘interconnectivity’ but you’d be better off just taking a walk to the shops
  • Study for Self-Portrait, 1963 by Francis Bacon © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2024. Photo: Prudence Cuming Associates Ltd. Amgueddfa Cymru – Museum Wales.

    Art Weekly newsletter
    Francis Bacon gets personal, the poetry of decay and a sensory wonderland arrives – the week in art

    The modern master’s portraits take the genre apart, Mire Lee explores entropy in the Turbine Hall and Haegue Yang enlivens multiple media

September 2024

  • Charing Cross Bridge, la Tamise - Inv. B 1725<br>Claude Monet (1840-1926), Charing Cross Bridge, The Thames, 1903, oil on canvas, Musee des Beaux-Arts, Lyon, Image © Lyon MBA – Photo Alain Basset

    Art Weekly newsletter
    Impressionism-on-Thames, a star slacker and a disturbing double act – the week in art

  • Brian Sewell

    London Standard’s AI imitation of Brian Sewell proves art critics cannot be easily replaced

  • No comparison … Little Miss Muffet I by Paula Rego and Folly of Fear by Francisco de Goya.

    Uncanny Visions: Rego and Goya review – it’s Little Miss Muffet vs the horrors of war

  • 10. Claude Monet (1840-1926), Waterloo Bridge: Effect of Sunlight in the Fog 1903

    Monet and London review – genius lurks behind the capital’s filthy light

  • Silk Roads review – mesmerising show turns world history upside down

  • Art Weekly newsletter
    Silk Road treasures, Turner hopefuls and the wisdom of Jeremy Deller – the week in art

  • Teresa Margolles’s fourth plinth review – haunting rack of faces memorialises transgender victims of violence

  • Michael Craig-Martin review – sorry, but these lamps and filing cabinets just aren’t that interesting

  • The Cumbrian barn-stormer: is Kurt Schwitters’ last masterpiece finally about to be restored?

  • Art Weekly newsletter
    Van Gogh dazzles, the Fourth Plinth beckons and Norwich nabs some narcs – the week in art

  • Van Gogh: Poets and Lovers review – a riveting rollercoaster ride from Arles to the stars

  • Art Weekly newsletter
    Monuments to motherhood, cinematic dreams and a ‘wild beast’ – the week in art

  • Surréalisme review – monstrous, deviant, glorious fun as the movement hits 100

August 2024

  • Self-portrait, Vincent Van Gogh at Art of the Selfie, National Museum Wales.

    Art Weekly newsletter
    Van Gogh v the ’gram, word sculptures and Japanese ceramics – the week in art

  • From left to right; Installation view of Jasleen Kaur, Alter Altar, Vincent Van Gogh Self-Portrait, Mike Kelley as The Banana Man

    Autumn arts preview 2024
    From Van Gogh to Le Va, Rego to the Renaissance: the best exhibitions for autumn 2024

  •  Monadic Singularity by Anish Kapoor  at Liverpool Cathedral.

    Art Weekly newsletter
    Anish Kapoor at prayer and a giant pumpkin in the park – the week in art

  • Grace Edwards, October 1926, showing as part of  Nature in Focus.

    Art Weekly newsletter
    Zooming in on nature, sounding out a stone and sculpting space – the week in art

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