Skip to main contentSkip to navigation

Arifa Akbar

Arifa Akbar is the Guardian's chief theatre critic

October 2024

  • Aisling Kearns, J Smith-Cameron, Mark Rylance and Eimhin Fitzgerald Doherty in Juno and the Peacock.

    Juno and the Paycock review – Mark Rylance delights as a drunken fantasist Dubliner

    Rylance is entertainingly Chaplinesque as a dissolute husband in Seán O’Casey’s 1924 tragicomedy, but Succession’s J Smith-Cameron is its heart and soul as the long-suffering wife
  • Citizen of the world … Khalid Abdall in Nowhere at Battersea Arts Centre.

    Nowhere review – an audacious and radical message for peace

    Mixing the personal and political into one consciousness-raising ‘anti-biography’, Khalid Abdalla’s solo show takes in western colonialism, 9/11, British identity, the typecasting of Arab actors, Hamas’s terror and the war in Gaza
    • Look Back in Anger/Roots review – double bill of 1950s gamechanging kitchen sink dramas

    • Redlands review – Rolling Stones play second fiddle in 60s culture wars clash

    • ‘If audiences are crying, I’ve done my job’: closing the stories of a generation of British south Asians

September 2024

  • She snaps her fingers in his face

    The Cabinet Minister review – perfect timing for a Victorian satire on political freebies

  • John Lithgow as Roald Dahl

    Giant – exploration of Roald Dahl and antisemitism that speaks to our times

  • Keith Allen in 1984.

    1984 review – Keith Allen’s sadistic superior emanates controlled rage

  • Jasmine Blackborow as Miss Bauer and Michael Aloni as Art in Here in America.

    Here in America review – Miller and Kazan test the bonds of friendship in McCarthy-era witch-hunt drama

  • Coriolanus review – David Oyelowo keeps you waiting and Es Devlin’s design is to die for

  • ‘You become addicted to pressure’: Rufus Norris on success, stress and the National Theatre’s survival

  • A Face in the Crowd review – cautionary tale of the creation of a Trump-lite TV star

  • Waiting for Godot review – Beckett’s classic tragicomedy is more comedic than tragic

  • A Raisin in the Sun review – stirring drama of a family confronting segregation

  • ‘I filed my copy from Waterloo station loos’: the Guardian’s theatre critics assess The Critic

  • The Real Ones review – fascinating friendship zooms through decades

  • Why Am I So Single? review – dating debacles from the duo behind Six

  • Our Country’s Good review – Timberlake Wertenbaker revises penal colony epic for a new world

  • V&A celebrates a century of national theatre archive with tribute to avid collector

  • The Band Back Together review – witty reflections on youth and middle-age

About 1,032 results for Arifa Akbar
1234...