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Culture
9 October 2024
The Office’s Jenna Fischer reveals ‘aggressive’ breast cancer diagnosis
Brat summer down under: Charli xcx to headline 2025 Laneway festival lineup
Francis Bacon: Human Presence review – ‘This whirligig of horrors is the best Bacon show I’ve ever seen’
Israel-Gaza: one year on
‘Survivor’s guilt is overwhelming’: the grief of losing 21 relatives in one airstrike in Gaza
8 October 2024
TV review
Bombing Brighton: The Plot to Kill Thatcher review – her shaky post-blast interview says it all
Lisa Nandy vows to move national art collection ‘into communities’
Vermeer’s Girl With a Pearl Earring, Rembrandt’s triangle and real art’s appeal
Return of the Mexican sex bombs: Gael García Bernal and Diego Luna on their boxing comedy La Máquina
Jon Stewart to Elon Musk: ‘Guns don’t protect our free speech’
Mire Lee’s Turbine Hall review – as kitsch as tatty Halloween decorations
Satisfactory, the factory-building game so compelling it has invaded my dreams
Patrick Lum
TV review
Rivals first-look review – an eye-popping explosion of sex, more sex and bad wigs
Heath Ledger’s Joker was based on a Francis Bacon painting, says Christopher Nolan
‘Look at this. We are back’: the impossible return of French touch titans Cassius
Guardian Australia's headline act
Sarah Blasko: ‘I’m still a recovering Christian. I had to remodel my brain to be here and enjoy life’
Australian arts in focus
Sydney entry beaten by ‘spectacular’ Beijing building in library of the year award
Stream team
Wag the Dog: a pitch-black political comedy that’s never looked more relevant
Observer business profile
‘Bond’s audience will be patient’: Amazon MGM Studios’ boss on the hunt for a new 007
Yasmin Williams, folk’s fantastical fingerpicker: ‘Guitar Hero shaped my experimental approach’
Stuntman review – spirited love letter to golden age of Hong Kong’s action movies
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